#Reamp box needed for recording full#

And honestly, ensuring the re-amp level is exactly the same as the original signal is the part I’d be least concerned with, since the whole point is to fine. …also, a reamp box can give you the connections you’d ideally have to send something (like a vocal) through some guitar effects (like delays, phasers, or weird distortion boxes) and back in via DI. Anytime you send a track out of the box and run the sign al through something and record the result, thats reamping. Record the DI’d signal at -18dBFS, and when you reamp, if everything between your interface output to the amp input is set to unity, you should be pretty close to what you started with.

only having to have that loud bass amp pushing a loud 6X10 cab for the 5 minutes to find the right spot for the mic(s) and the 3 minutes necessary to play the song out through the reamping box into the amp then back into the daw via a nice mic/pre/converter setup. He can record his bass DI into his interface, send me the edited files, and I can record his fantastic, perfectly edited and perfectly executed playing through my collection of amps, mics, pres, etc. He also lives 2 hours away from me so he can’t just stop by. This basically means that reamp boxes serve to make guitar amps react to. Reamp box is a device that is used for converting a balanced line-level signal to an unbalanced high-impedance signal and vice versa. A bass player I know lives in an apartment, doesn’t own any sort of respectable bass amp, and doesn’t own any mics that would do a good job capturing low end. And the easiest way of reamping the guitar without a reamp box is to use digital amp emulation. Rather than having your 102db guitar amp on for 6 hours as you’re double tracking (and tracking and tracking and fixing mistakes and punching in and tracking some more and waiting for the guy with the stereo to drive by) all three rhythm guitar parts on your amazing 8-minute opus, you only have to have the amp on for the amount of time it takes to play each guitar part out to the amp once.Īnother use for reamping: I have a couple really killer amps including a nice-sounding Ampeg tube bass amp.

You can spend 6 hours getting the most perfect guitar takes recorded, spend a little time editing the perfect guitar takes into perfect guitar parts (which is easier to see now because the DI, not a distorted guitar signal, is recorded to the DAW) then send those guitar parts out to an amp that will only have to be loud for the amount of time it takes to play each guitar part out of the DAW one time – you just send that DI guitar signal out of the DAW, into the reamp box, then out to the amp/cab which will play back your perfectly edited and recorded pure guitar signal. You could record a DI guitar track and monitor through an amp modeling system at any time of any night or any child’s naptime. You will need either a Re-Amp Box, a DI Box, or you can even use a Headphone Pre-Amp to send the recorded track to the amp through the output channel and at the.

#Reamp box needed for recording full#

Tom, re-amping is worth the trouble if you’ve got a situation in which you’re not able to run your guitar amps full throttle all day, every day, any time you’d like.